BRIAN MARLEY was born in Newcastle-upon-Tyne. Having begun to write poetry in his early teens, he was soon publishing widely in small press magazines in the UK and elsewhere. He edited the imprint Laundering Room Press between 1974-77. By 1982 he’d switched from poetry to prose and there he remains. His photographic work has been exhibited in Brighton and Newcastle-upon-Tyne.
Now it can be revealed ...
... why Jonah doesn’t want to talk about that business with the whale
... who the woman was in the Davy Jones and Casey Jones love triangle
... how a hapless former tennis pro tried to save a city from ruin
...why one generalissimo is never enough
... and twelve other windows on a world not quite our own
PREVIEW: DOWNLOAD TWO STORIES (pdf):
978-1-874400-78-3 220pp 2020
APROPOS JIMMY INKLING
In a Westminster café-cum-courtroom, Jimmy Inkling is on trial, perhaps for his life. Unless, of course, he’s dead already. But will that be enough to prevent him from eliminating those who give evidence against him?
"What a marvelous novel! Madcap, often quite nuts, nothing like it. So thanks for the pleasure!" – TOBY OLSON
"Marley’s maverick novel ... delights in tying itself in knots which it eventually unravels. It is fiction which is happy to free-wheel, to swerve from this lane to that, get side-tracked, suddenly switch to the fast-lane, reverse and/or discover a circuitous route back to its starting point. In an Alice-like world, a café transforms itself into a court-room and a customer becomes the jury as a bevy of witnesses are assembled and interrogated as to the true nature of Inkling, who only got his name because he was a foundling and his finder hadn’t an inkling about from whence he hailed. The book comes highly recommended by dead authors (Ballard, Spark and Burgess)."
– ANTHONY HOWELL, Fortnightly Review
"Marley’s novel isn’t about establishing a state of guilt or innocence or solving a murder mystery, but examines and showcases (with abundant humor) our will to verify a single, absolute, unequivocal truth ... The language [in this book] is lively, colorful, ebullient and fun. It’s full of wit and imagination, myriad asides and an encyclopedic revelry in arcana, the kind James Joyce reveled in in Ulysses."
– JOHN OLSON, Golden Handcuffs Review
978-1-874400-73-8 318pp 2019